Camille Saint-Saëns, Nataša Majer, Ana Pišpek, Volker Hartung's 'The Carnival of the Animals, R.125: III. Wild Donkeys, Swift Animals' came out on December 6, 2019. With The Carnival of the Animals, R.125: III. Wild Donkeys, Swift Animals being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 17 in the song's album "Saint-Saëns: The Carnival of the Animals, R.125 & Other Works". In this album, this song's track order is #3. In terms of popularity, The Carnival of the Animals, R.125: III. Wild Donkeys, Swift Animals is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Carnival of the Animals, R.125: III. Wild Donkeys, Swift Animals by Camille Saint-Saëns, Nataša Majer, Ana Pišpek, Volker Hartung having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 | Johannes Brahms, Péter Nagy | A Minor | 1 | 8A | 126 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
13 Pieces, Op. 76: No. 2 Etude | Jean Sibelius, Håvard Gimse | A Minor | 2 | 8A | 72 BPM | ||
The Secret Life Of Daydreams - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | B♭ Major | 0 | 6B | 71 BPM | ||
Pachelbel: Canon and Gigue in D Major: Canon | Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 84 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Ravel: Miroirs, M. 43: III. Une barque sur l'océan | Maurice Ravel, Bertrand Chamayou | D Major | 1 | 10B | 66 BPM | ||
Le Rouet D'omphale, Op. 31 (Arr. Solo Piano by Saint-Säens) - Upon Piano Roll Welte-Mignon 798, Issued 1905 | Camille Saint-Saëns | D Major | 1 | 10B | 69 BPM | ||
Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM |
Section: 0.7655789852142334
End: 0.7695131301879883