Nicol Matt, Ute Petersilge, Nordic Chamber Choir, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Johann Sebastian Bach, Martina Rotbauer, Jens Wollenschläger, Heike Hümmer, Robert Sagasser's ' "O Welt, Ich Muss Dich Lassen Bwv 394" was released on its scheduled release date, March 28, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 48 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. O Welt, Ich Muss Dich Lassen Bwv 394 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of O Welt, Ich Muss Dich Lassen Bwv 394 by Nicol Matt, Ute Petersilge, Nordic Chamber Choir, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Johann Sebastian Bach, Martina Rotbauer, Jens Wollenschläger, Heike Hümmer, Robert Sagasser is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
Toccata in D Major, P460 | Johann Pachelbel, Matthew Owens | F♯ Major | 0 | 2B | 123 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Concerto in F Major for Two Oboes and Strings, Op. 9 No. 3: III. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | F Major | 4 | 7B | 106 BPM | ||
Kyrie: I. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 0 | 4B | 72 BPM | ||
Les Chansons des Roses: 1. En une seule fleur | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D♭ Major | 1 | 3B | 133 BPM | ||
Te Deum: IV. Patrem immensae maiestatis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Concerto in D Major for Two Oboes and Strings, Op. 7 No. 8: III. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | D Major | 2 | 10B | 101 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Sinfonia in D Major, (G. 4): III. Allegro | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | A Major | 3 | 11B | 97 BPM |