Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt's 'Les Chansons des Roses: 1. En une seule fleur' had a release date set for October 26, 2018. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Les Chansons des Roses: 1. En une seule fleur's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt's "Light Eternal – The Choral Music of Morten Lauridsen" album is number 6 out of 17. Based on our statistics, Les Chansons des Roses: 1. En une seule fleur's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Chansons des Roses: 1. En une seule fleur by Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Locus iste | Anton Bruckner, Choir of St. John's College, Cambridge, Andrew Nethsingha | B Minor | 1 | 10A | 137 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Ave Maria, Op. posth. | Gabriel Fauré, Mark Kruczek, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A Major | 0 | 11B | 83 BPM | ||
Les Chansons des roses: No. 2. Contre qui, rose | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | B♭ Minor | 0 | 3A | 77 BPM | ||
When to the Temple Mary Went | Johannes Eccard, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | D Minor | 0 | 7A | 78 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM |