"Quamby (For chamber orchestra): 4. At Quamby Bluff" by Peter Sculthorpe, Adelaide Symphony Orchestra, James Judd was released on November 18, 2006. Since Quamby (For chamber orchestra): 4. At Quamby Bluff is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 23 in the song's album "Sculthorpe: Requiem". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Australia. Quamby (For chamber orchestra): 4. At Quamby Bluff is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quamby (For chamber orchestra): 4. At Quamby Bluff by Peter Sculthorpe, Adelaide Symphony Orchestra, James Judd having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 30 in E Major, Op. 109: III. Andante molto cantabile ed espressivo (Elaborations by See Siang Wong) | Ludwig van Beethoven, See Siang Wong | E Major | 0 | 12B | 72 BPM | ||
Dappled Light | Luke Howard, Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 0 | 3A | 129 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: VII. Courant Limpide | Franz Burgmüller, Benedikt David | D Major | 1 | 10B | 134 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Rondeau: Paula | Jean Rondeau, Laurent Muller, Alice Bourlier, Maria Mosconi, Tanguy de Williencourt | F♯ Major | 0 | 2B | 120 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | ||
Ave María (Arr. Víkingur Ólafsson) - Grand Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM |
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