Rodolfo Halffter, Jessica Rivera, Mark Carver's 'Marinero en tierra , Op. 27: No. 3. Siempre que sueno las playas …' came out on February 24, 2015. With Marinero en tierra , Op. 27: No. 3. Siempre que sueno las playas … being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Spanish-American Songs". In this album, this song's track order is #3. In terms of popularity, Marinero en tierra , Op. 27: No. 3. Siempre que sueno las playas … is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Marinero en tierra , Op. 27: No. 3. Siempre que sueno las playas … by Rodolfo Halffter, Jessica Rivera, Mark Carver having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Evening Tense | Marco Risolino, Ludovico Leone | B♭ Major | 0 | 6B | 73 BPM | ||
Dead Aloe Vera Bushes | Bel1a | C Major | 1 | 8B | 116 BPM | ||
6 Preludes: No. 3 | Paul Bowles, Lara Downes | F Minor | 0 | 4A | 113 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM | ||
Wanderung - Piano | Eun-Ji Moon | D Minor | 1 | 7A | 70 BPM | ||
Marinero en tierra: IV. Verano | Rodolfo Halffter, Rafael Alberti, Plaerdemavida Ensemble, Paloma Chiner, Jorge Fanjul, Pablo García-Berlanga | A Major | 1 | 11B | 35 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): I. Prelude | Johann Sebastian Bach, Hamish Milne | D Minor | 1 | 7A | 114 BPM |
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