"20:タランテラ(ブルグミュラー:25の練習曲 作品100)" by 伊奈和子 was released on 1998. With 20:タランテラ(ブルグミュラー:25の練習曲 作品100) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in ブルグミュラー 25の練習曲 作品100番/グルリット 初歩者のための小練習曲集, so we believe that "20:タランテラ(ブルグミュラー:25の練習曲 作品100)" is a single. 20:タランテラ(ブルグミュラー:25の練習曲 作品100) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 20:タランテラ(ブルグミュラー:25の練習曲 作品100) by 伊奈和子 is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25-17 おしゃべり | 杉元 太 | D Major | 3 | 10B | 90 BPM | ||
アテネの廃墟: Beethoven: アテネの廃墟 - トルコ行進曲(《アテネの廃墟》から) | Ludwig van Beethoven, Fujiko Hemming | F Major | 3 | 7B | 174 BPM | ||
22:舟歌(ブルグミュラー:25の練習曲 作品100) | 伊奈和子 | A♭ Major | 1 | 4B | 99 BPM | ||
Resplandor Nocturno | Velqui | E♭ Major | 2 | 5B | 120 BPM | ||
Salle D'Attente | Lee Storpiaty | G Minor | 1 | 6A | 102 BPM | ||
du binsta | John Maniy | C Major | 0 | 8B | 72 BPM | ||
Mozart For babies Sonata 1 Lullaby Part Nine | BABY LULLABIES | G Major | 0 | 9B | 78 BPM | ||
ノクターン 第1番(フィールド) | エヴァ・ポブウォツカ | F♯ Major | 0 | 2B | 135 BPM | ||
Beloved Gramophone | Flairboy | A Major | 0 | 11B | 67 BPM | ||
Battements frappes (2/4:32+16): ハンガリー狂詩曲第2番 | Franz Liszt, 稲葉智子 | E Major | 2 | 12B | 97 BPM |
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