"Trombone Concerto: II. Adagio molto" by Gordon Jacob, Christian Lindberg, BBC National Orchestra Of Wales, Grant Llewellyn was released on December 31, 1991. Since Trombone Concerto: II. Adagio molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Grant Llewellyn's "Jacob / Howarth / Bourgeois: Trombone Concertos" album is number 2 out of 10. Trombone Concerto: II. Adagio molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trombone Concerto: II. Adagio molto by Gordon Jacob, Christian Lindberg, BBC National Orchestra Of Wales, Grant Llewellyn to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloriosa: II. Cantus | Yasuhide Ito, Jerry Bierschenk, North Texas Wind Symphony, Dennis Fisher | C Minor | 0 | 5A | 79 BPM | ||
Rodeo: I. Buckaroo Holiday | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | F Major | 1 | 7B | 116 BPM | ||
Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Introduction | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | D Minor | 0 | 7A | 89 BPM | ||
Candide: IV. Glitter and Be Gay | Leonard Bernstein, University of South Carolina Wind Ensemble, Scott Weiss | A♭ Major | 1 | 4B | 78 BPM | ||
Divertimento, Op. 42: VI. March | Vincent Persichetti, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 4 | 10B | 150 BPM | ||
Bass Tuba Concerto in F Minor: II. Romanza. Andante sostenuto | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | E Minor | 1 | 9A | 84 BPM | ||
English Dances, Set 1, Op. 27 (Arr M. Johnstone): IV. Allegro risoluto | Malcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry Junkin | C Major | 3 | 8B | 82 BPM | ||
Wind In the Reeds: III. A Childhood Memory | Gordon Jacob, Kira Bokalders, University of Florida Clarinet Ensemble, Mitchell Estrin | G Minor | 2 | 6A | 119 BPM | ||
Armenian Dances: I. The Apricot Tree - The Partridge's Song - Hoy, Nazan Eem - Alagyaz - Go, Go | Alfred Reed, Otonowa Wind Symphonica | B♭ Major | 1 | 6B | 108 BPM | ||
English Folk Song Suite: I. March (Seventeen Come Sunday) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Minor | 3 | 4A | 120 BPM |
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