"Rodeo: I. Buckaroo Holiday" by Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin was released on June 4, 2013. Since Rodeo: I. Buckaroo Holiday is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 14 in Copland: Rodeo, Dance Panels, El Salón México & Danzón Cubano by Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Rodeo: I. Buckaroo Holiday is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rodeo: I. Buckaroo Holiday by Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mignon: Overture | Ambroise Thomas, Detroit Symphony Orchestra, Paul Paray | A♭ Major | 1 | 4B | 102 BPM | ||
The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Major | 3 | 9B | 58 BPM | ||
Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | ||
El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
Cinderella Suite, Op. 87: Act II: Cinderella's Arrival at the Ball | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
The Sorcerer's Apprentice | Paul Dukas, Leonard Bernstein, New York Philharmonic | D♭ Major | 5 | 3B | 129 BPM | ||
Blithe Bells (After J.S. Bach's BWV 208) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | B Major | 2 | 1B | 89 BPM | ||
Carmen Suite (Excerpts from Suites Nos. 1 & 2): Les dragons d'Alcala | Georges Bizet, Detroit Symphony Orchestra, Paul Paray | D Major | 6 | 10B | 169 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
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