"String Quartet No. 14 in C-Sharp Minor, Op. 131 - Version for String Orchestra by Dimitri Mitropoulos: 6. Adagio quasi un poco andante - attacca: - Live" by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein was released on January 9, 2021. The duration of String Quartet No. 14 in C-Sharp Minor, Op. 131 - Version for String Orchestra by Dimitri Mitropoulos: 6. Adagio quasi un poco andante - attacca: - Live is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. String Quartet No. 14 in C-Sharp Minor, Op. 131 - Version for String Orchestra by Dimitri Mitropoulos: 6. Adagio quasi un poco andante - attacca: - Live's duration is considered a little bit shorter than the average duration of a typical track. The song is number 115 out of 193 in Beethoven - Winter Vibes by Ludwig van Beethoven. String Quartet No. 14 in C-Sharp Minor, Op. 131 - Version for String Orchestra by Dimitri Mitropoulos: 6. Adagio quasi un poco andante - attacca: - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 14 in C-Sharp Minor, Op. 131 - Version for String Orchestra by Dimitri Mitropoulos: 6. Adagio quasi un poco andante - attacca: - Live by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
25 Études faciles et progressives, Op. 100: No. 2, L'arabesque | Franz Burgmüller, Carl Petersson | A Minor | 1 | 8A | 78 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 153 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM |
Section: 0.6547996997833252
End: 0.6585612297058105