Wolfgang Amadeus Mozart, Wladimiro Ganzarolli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis's 'Don Giovanni / Act 1: "Madamina, il catalogo è questo"' came out on January 1, 1991. With this song being about 5 minutes long, at 5:20, "Don Giovanni / Act 1: "Madamina, il catalogo è questo"" by Wolfgang Amadeus Mozart, Wladimiro Ganzarolli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Kiri Te Kanawa, Martina Arroyo, Ingvar Wixell, Stuart Burrows, Sir Colin Davis's "Mozart: Don Giovanni (Complete Mozart Edition)" album is number 8 out of 52. Don Giovanni / Act 1: "Madamina, il catalogo è questo" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni / Act 1: "Madamina, il catalogo è questo" by Wolfgang Amadeus Mozart, Wladimiro Ganzarolli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Finlandia, Op. 26 | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Major | 2 | 9B | 105 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: Non più andrai | Wolfgang Amadeus Mozart, Wladimiro Ganzarolli, BBC Symphony Orchestra, Sir Colin Davis | G Major | 2 | 9B | 126 BPM | ||
Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa | Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 180 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
Die Zauberflöte, K. 620 / Act 1: "Wie stark ist nicht dein Zauberton" | Wolfgang Amadeus Mozart, Klaus Florian Vogt, Clara Andrada de la Calle, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 1 | 8B | 99 BPM | ||
Puccini: Madama Butterfly, Act 2 Scene 1: Intermezzo. Coro a bocca chiusa | Giacomo Puccini, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli | D Major | 1 | 10B | 101 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM |
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