- BPM
- 144
- Key
- C Major
- Camelot
- 8B
Overture "The Consecration of the House", Op. 124 - Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan Information
- Acousticness
- 82%
- Danceability
- 27%
- Energy
- 36%
- Instrumentalness
- 90%
- Liveness
- 12%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 26%
- Popularity
- 12%
- Loudness
- -16.593 dB
Summary
Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan's 'Overture "The Consecration of the House", Op. 124' came out on January 1, 1989. Overture "The Consecration of the House", Op. 124 appears to be safe for all ages as it is not explicit. The song is number 7 out of 11 in Beethoven: Overtures by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Overture "The Consecration of the House", Op. 124's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Overture "The Consecration of the House", Op. 124 BPM
The tempo marking of Overture "The Consecration of the House", Op. 124 by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Overture "The Consecration of the House", Op. 124 Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 110 BPM | |
 | Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | |
 | Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM | |
 | Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | |
 | 6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | |
 | Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | |
 | Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | |
 | Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | |
 | Canon and Gigue in D major - arr. Max Seiffert: 1. Canon | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 92 BPM | |
 | Symphony No.94 In G Major, Hob.I:94 - "Surprise": 2. Andante | Franz Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum | C Major | 0 | 8B | 111 BPM |
- ISRC
- DEF056900980
- Label
- L-M Records/RCA Records
Section: 0.790795087814331
End: 0.7944610118865967