Johann Sebastian Bach, Steve Erquiaga made "Prelude In C Minor From The Well Tempered-Clavier" available on September 23, 1994. The duration of Prelude In C Minor From The Well Tempered-Clavier is about 3 minutes long, at 3:04. Based on our data, "Prelude In C Minor From The Well Tempered-Clavier" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "The Bach Variations". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Prelude In C Minor From The Well Tempered-Clavier is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Prelude In C Minor From The Well Tempered-Clavier by Johann Sebastian Bach, Steve Erquiaga having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canción de Cuna | Agustín Barrios Mangoré, John Williams | D Major | 0 | 10B | 73 BPM | ||
Suite española, Op. 47 - Transcr. Isaac Albéniz: No. 3 Sevilla | Isaac Albéniz, Miloš Karadaglić | G Major | 1 | 9B | 109 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 112 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Jean-Rodolphe Kars | E♭ Minor | 0 | 2A | 73 BPM | ||
El Noy de la Mare | Liona Boyd | G Major | 0 | 9B | 122 BPM | ||
Goldberg Variations, BWV 988 (Arr. for Guitar by Anonymous): Var. 25 | Walter Feybli, Johann Sebastian Bach | D Major | 2 | 10B | 54 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Prelude In C Minor From The Well Tempered-Clavier | Johann Sebastian Bach, Steve Erquiaga | E Minor | 2 | 9A | 115 BPM | ||
Mallorca (Barcarola), Op. 202 | Isaac Albéniz, Xavier De Maistre | F Minor | 1 | 4A | 124 BPM |
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