"Gaîté Parisienne: Barcarolle" by Manuel Rosenthal, Leonard Bernstein, New York Philharmonic was released on 1960. The duration of Gaîté Parisienne: Barcarolle is about 3 minutes long, at 3:27. Based on our data, "Gaîté Parisienne: Barcarolle" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Nocturne". In this album, this song's track order is #1. Gaîté Parisienne: Barcarolle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gaîté Parisienne: Barcarolle by Manuel Rosenthal, Leonard Bernstein, New York Philharmonic having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Violin Concerto No.5 in A minor, Op.37: 3. Allegro con fuoco | Henri Vieuxtemps, Arthur Grumiaux, Orchestre Lamoureux, Manuel Rosenthal | D Major | 1 | 10B | 153 BPM | ||
El amor brujo: Ritual Fire Dance - Excerpt | Manuel de Falla, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | C Major | 1 | 8B | 142 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Trois Petites Pièces montées: 2. Marche de Cocagne (Démarche) | Erik Satie, Orchestre National De France, Manuel Rosenthal | G Major | 0 | 9B | 146 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 91 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 - Pt. 4 | Claude Debussy, Lucien Lavailotte, L'Orchestre du Théâtre National de l'Opéra, Paris, Manuel Rosenthal | A Major | 0 | 11B | 68 BPM | ||
Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
Tannhauser, Act II: Einzug der Gaste auf der Warburg | Richard Wagner, Budapest Symphony Orchestra, György Lehel | B Major | 1 | 1B | 130 BPM |
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