Astor Piazzolla's 'Cavalcata' came out on 2003. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Piazzolla Tangos 6". In this album, this song's track order is #8. Based on our statistics, Cavalcata's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Cavalcata by Astor Piazzolla having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Metro Chabacano | Camerata Romeu | G Minor | 2 | 6A | 151 BPM | ||
La Casita de Mis Viejos - Remastered | Edmunro Rivero, Horacio Salgán | E Minor | 3 | 9A | 117 BPM | ||
Volvio Una Noche | Hugo Díaz | A Minor | 3 | 8A | 102 BPM | ||
Resta : Bailecito | José Resta, Daniel Barenboim, Rodolfo Mederos, Héctor Console | F Major | 2 | 7B | 165 BPM | ||
Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
María de Buenos Aires, Part II, Scene 16: "Tangus Dei" (Voz de ese domingo, El duende, Sombra de María) | Astor Piazzolla, Martina Belli, Rubén Peloni, Daniel Bonilla-Torres, Orchestra La Corelli, Jacopo Rivani, Davide Vendramin | E Minor | 4 | 9A | 103 BPM | ||
Bachianas Brasileiras | The Modern Jazz Quartet | A Minor | 1 | 8A | 118 BPM | ||
Fumando Espero | Alfredo De Angelis, Carlos Dante | G Minor | 5 | 6A | 116 BPM | ||
Prologue (Tango Apasionado) | Astor Piazzolla, 1721 Project, Telalit Charsky, Nuphar Fey, Jean René Da Conceição, Victor Hugo Villena | C Minor | 1 | 5A | 108 BPM | ||
María de Buenos Aires, Part I, Scene 5: "Fuga y misterio" | Astor Piazzolla, Martina Belli, Rubén Peloni, Daniel Bonilla-Torres, Orchestra La Corelli, Jacopo Rivani, Davide Vendramin | E Minor | 3 | 9A | 137 BPM |
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