"Ruslan & Ludmila: Overture" by Mikhail Glinka, Leonard Slatkin, St. Louis Symphony was released on June 28, 1983. With this song being about 5 minutes long, at 5:24, "Ruslan & Ludmila: Overture" by Mikhail Glinka, Leonard Slatkin, St. Louis Symphony is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Tchaikovsky's Marche slav & Other Russian Favorites". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Ruslan & Ludmila: Overture's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ruslan & Ludmila: Overture by Mikhail Glinka, Leonard Slatkin, St. Louis Symphony having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
The Lark | Mili Alexejewitsch Balakirew Michail Iwanowitsch Glinka, Mily Balakirev, Mikhail Glinka, Petvier | B♭ Minor | 0 | 3A | 63 BPM | ||
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM | ||
Lyric Pieces, Op. 43: No. 6 To Spring | Lang Lang | F♯ Major | 1 | 2B | 130 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM | ||
Valse sentimentale, Op.51, No.6 | Pyotr Ilyich Tchaikovsky, Heinrich Schiff, Samuel Sanders | A Minor | 0 | 8A | 74 BPM |
Section: 0.8298115730285645
End: 1.4193298816680908