Luigi Rossi, El Mundo, Richard Savino's 'Occhi belli' came out on September 25, 2015. The duration of Occhi belli is about 3 minutes long, at 3:03. Based on our data, "Occhi belli" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of What Artemisia Heard: Music and Art from the Time of Caravaggio & Gentileschi by El Mundo, Richard Savino. The song's track number on the album is #17 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Occhi belli's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Occhi belli by Luigi Rossi, El Mundo, Richard Savino has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Occhi belli being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: VI. He | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Il Palazzo incantato: Si tocchi tamburo | Luigi Rossi, Giulia Semenzato, Kammerorchester Basel | A Minor | 7 | 8A | 77 BPM | ||
Già più volte tremante (Arr. The Dowland Project, Potter) | Benedetto Ferrari, The Dowland Project, John Potter | F Major | 0 | 7B | 77 BPM | ||
Il Giustino, RV 717, Act I, Scene 8: Vedrò con mio diletto (Anastasio) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Silke Gäng | A Major | 0 | 11B | 168 BPM | ||
O Sing Unto the Lord, Z44: Symphony - O Sing - Sing Unto the Lord - The Lord is Great - O Worship - Tell it Out | Henry Purcell, The Sixteen, Harry Christophers | G Major | 4 | 9B | 105 BPM | ||
Passacaille | Luigi Rossi, Aapo Häkkinen | D♭ Minor | 3 | 12A | 132 BPM | ||
Armide, LWV 71, Act I Scene 3: Que la douceur d'un triomphe (Sidonie, Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost, Chœur de l'Opéra de Dijon | C Major | 3 | 8B | 112 BPM | ||
Mori, mi dici (I) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Rodomonte sdegnato: Aria. Il mio crudele amor | Michelangelo Gasparini, Adèle Charvet, Le Consort | F♯ Major | 0 | 2B | 90 BPM | ||
Dixit Dominus, RV 595: II. Chorus "Donec ponam" | Antonio Vivaldi, Jordi Savall, Le Concert Des Nations, La Capella Reial De Catalunya | F♯ Minor | 3 | 11A | 91 BPM |
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