"Missa brevis, Op. 64: I. Kyrie" by William Mathias, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens was released on May 1, 2009. With this song being about 5 minutes long, at 4:42, "Missa brevis, Op. 64: I. Kyrie" by William Mathias, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of William Mathias: Missa brevis & Other Choral Music by William Mathias, Wells Cathedral Choir, Matthew Owens. The song's track number on the album is #7 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Missa brevis, Op. 64: I. Kyrie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa brevis, Op. 64: I. Kyrie by William Mathias, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Missa brevis, Op. 64: I. Kyrie being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Learsongs (Arr. for Soprano, Alto Chorus & Piano Duet): No. 3, The Duck and the Kangaroo | William Mathias, Edward Lear, Glen Dempsey, Aïda Lahlou, St. John's Voices, Graham Walker | C Minor | 1 | 5A | 95 BPM | ||
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM | ||
Ola, o che bon eccho! | Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 1 | 2A | 63 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
グレゴリオ聖歌による4つのモテット作品10よりトータ・プルクラ・エス御身はすべてが美しくあり給う Quatre Motets sur des thémes grégoriens, Op. 10 II. Tota pulchra es | Girl Choristers, Sarah Baldock Conductor, Lay Clerks of Winchester Cathedral | G Minor | 0 | 6A | 64 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Advance Democracy | Benjamin Britten, Finzi Singers, Paul Spicer | C Minor | 1 | 5A | 37 BPM | ||
Dormi Jesu, Op. 3 | Edmund Rubbra, St. Margaret's Westminster Singers, Richard Hickox | E Minor | 1 | 9A | 72 BPM | ||
Wind Quintet: II. Waltz | William Mathias, Lumas Winds | G Major | 1 | 9B | 167 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM |
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