4 Ernste Gesange, Op. 121 (arr. for bass trombone and piano): No. 4. Wenn ich mit Menschen - und mit Engelszungen redete - Anonymous, Johannes Brahms, Stefan Schulz, Tomoko Sawano Information

Acousticness: 99%
Danceability: 23%
Energy: 1%
Instrumentalness: 93%
Liveness: 9%
Loudness: 53%
Speechiness: 5%
Valence: 13%
Popularity: 2%
Loudness: -28.194 dB

Summary

"4 Ernste Gesange, Op. 121 (arr. for bass trombone and piano): No. 4. Wenn ich mit Menschen - und mit Engelszungen redete" by Anonymous, Johannes Brahms, Stefan Schulz, Tomoko Sawano was released on October 26, 2010. With this song being about 5 minutes long, at 5:22, "4 Ernste Gesange, Op. 121 (arr. for bass trombone and piano): No. 4. Wenn ich mit Menschen - und mit Engelszungen redete" by Anonymous, Johannes Brahms, Stefan Schulz, Tomoko Sawano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 12 in Berlin Recital: Stefan Schulz by Stefan Schulz. 4 Ernste Gesange, Op. 121 (arr. for bass trombone and piano): No. 4. Wenn ich mit Menschen - und mit Engelszungen redete is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

4 Ernste Gesange, Op. 121 (arr. for bass trombone and piano): No. 4. Wenn ich mit Menschen - und mit Engelszungen redete BPM

The tempo marking of 4 Ernste Gesange, Op. 121 (arr. for bass trombone and piano): No. 4. Wenn ich mit Menschen - und mit Engelszungen redete by Anonymous, Johannes Brahms, Stefan Schulz, Tomoko Sawano is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

4 Ernste Gesange, Op. 121 (arr. for bass trombone and piano): No. 4. Wenn ich mit Menschen - und mit Engelszungen redete Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto	Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit	F Major	0	7B	86 BPM
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei	Robert Schumann, Ivan Moravec	F Major	0	7B	130 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano)	Richard Strauss, Angela Hewitt	A Major	2	11B	143 BPM
Mephisto Waltz No. 1, S. 514	Franz Liszt, Khatia Buniatishvili	E Major	2	12B	132 BPM
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy)	Péter Nagy, Johannes Brahms	E♭ Major	0	5B	134 BPM
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645)	Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz	E♭ Major	0	5B	110 BPM
Serenade in C Major, Op. 48: II. Walzer	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	G Major	2	9B	180 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)	Franz Schubert, Franz Liszt, Khatia Buniatishvili	D Major	0	10B	67 BPM
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor	Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride	D Minor	2	7A	158 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6596782207489014

End: 0.6640701293945312