Alicia de Larrocha's 'GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: III. EL FANDANGO DE CANDIL' came out on August 22, 1992. With this song being about 5 minutes long, at 5:29, "GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: III. EL FANDANGO DE CANDIL" by Alicia de Larrocha is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Alicia de Larrocha's "Goyescas Etc." album is number 3 out of 26. In terms of popularity, GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: III. EL FANDANGO DE CANDIL is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: III. EL FANDANGO DE CANDIL by Alicia de Larrocha to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Albeniz: Suite Espanola: Cadiz | Alicia de Larrocha | D♭ Major | 0 | 3B | 112 BPM | ||
Piano Sonata in E flat, H.XVI No.52: 1. Allegro | Joseph Haydn, Alfred Brendel | E♭ Major | 1 | 5B | 80 BPM | ||
Lyric Pieces, Op. 12: No. 1, Arietta | Edvard Grieg, Håkon Austbø | E♭ Major | 0 | 5B | 78 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Piano Trio in D Minor, Op. 120: I. Allegro, ma non troppo | Gabriel Fauré, Pierre Fouchenneret, Raphaël Merlin, Simon Zaoui | G Minor | 1 | 6A | 88 BPM | ||
24 Préludes, Op. 28, C. 166-189: 13 in F Sharp Major | Frédéric Chopin, Alicia de Larrocha | F♯ Major | 0 | 2B | 65 BPM | ||
Cançons i dansas: No. 2 | Federico Mompou, Alicia de Larrocha | A Minor | 0 | 8A | 66 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 2. Adagio | Franz Joseph Haydn, Alfred Brendel | G Major | 1 | 9B | 100 BPM | ||
An die Musik, D. 547 (Arr. Moore) | Franz Schubert, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Bocetos: IV. La campana de la tarde. Allegretto | Enrique Granados, Alicia de Larrocha | F Major | 0 | 7B | 129 BPM |
Section: 0.8217589855194092
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