Pyotr Ilyich Tchaikovsky, Vassily Sapellnikov, Aeolian Orchestra, The, Stanley Chapple's 'Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: I. Allegro non troppo e molto maestoso - Allegro con spirito' came out on April 1, 2015. Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: I. Allegro non troppo e molto maestoso - Allegro con spirito appears to be safe for all ages as it is not explicit. There are a total of 35 in the song's album "Sapellnikoff & Scharwenka: The Complete Recordings (Recorded 1910-1927)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: I. Allegro non troppo e molto maestoso - Allegro con spirito is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: I. Allegro non troppo e molto maestoso - Allegro con spirito by Pyotr Ilyich Tchaikovsky, Vassily Sapellnikov, Aeolian Orchestra, The, Stanley Chapple having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 | Johannes Brahms, Péter Nagy | A Minor | 1 | 8A | 126 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Nocturne No. 2 In E Flat, Op. 9 No. 2 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 133 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
The Marriage Of Figaro KV.592 | Alfred Scholz, London Philharmonic Orchestra | D Major | 1 | 10B | 142 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM |
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