Pavel Jurkovič, Jana Nováková, Jiří Tichota made "Náš tatíček, nebožtíček" available on March 4, 2016. The duration of Náš tatíček, nebožtíček is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Náš tatíček, nebožtíček's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Čtveročasí básnictví českého, Vol. 2, so we believe that "Náš tatíček, nebožtíček" is a single. In terms of popularity, Náš tatíček, nebožtíček is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Náš tatíček, nebožtíček by Pavel Jurkovič, Jana Nováková, Jiří Tichota is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XXVII. Er sprach zu mir (Martin Luther, Nun freut euch, lieben Christen g'mein) | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Spala Bych, Spala, Ale Ne Sama | Musica Bohemica | B♭ Major | 0 | 6B | 86 BPM | ||
XXV. Ich weiß, daß mein Erlöser lebt | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Florian Helgath, Katharina Bauml | E Minor | 1 | 9A | 92 BPM | ||
Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
Ay Que Vivo en Tierra Extraña | The Royal Wind Music, Capella Sancta María, Alfred Fernández | B♭ Minor | 0 | 3A | 135 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Cantus for solo recorder: III. Syng mer | Bertil Palmar Johansen, Caroline Eidsten Dahl | G Minor | 0 | 6A | 91 BPM | ||
Distressed Innocence, Z. 577: Air II | Henry Purcell, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 125 BPM | ||
Aesop. Cantata-Suite for Mixed Chorus and Orchestra, VI. The Lamp and the Stars. L´istesso tempo (Lucerna et astra) | Ilja Hurník, Jan Novák, Pavel Jurkovič, Ivan Klansky, Martin Turnovsky, Milan Malý, Prague Symphony Orchestra | C Major | 0 | 8B | 86 BPM | ||
Membra Jesu Nostri, BuxWV 75: Sonata [Ad cor] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM |
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