Akt I: Er naht, sie bringen ihn getragen
Richard Wagner, Elina Garanca, Ludovic Tezier, Georg Zeppenfeld, Philippe Jordan
Wagner: Parsifal
7:02 March 1, 2024
BPM
76
Key
A♭ Major
Camelot
4B

Embed

Share Link

Akt I: Er naht, sie bringen ihn getragen - Richard Wagner, Elina Garanca, Ludovic Tezier, Georg Zeppenfeld, Philippe Jordan Information

Acousticness
97%
Danceability
12%
Energy
9%
Instrumentalness
73%
Liveness
13%
Loudness
66%
Speechiness
4%
Valence
4%
Popularity
Loudness
-20.449 dB

Summary

"Akt I: Er naht, sie bringen ihn getragen" by Richard Wagner, Elina Garanca, Ludovic Tezier, Georg Zeppenfeld, Philippe Jordan was released on March 1, 2024. Since Akt I: Er naht, sie bringen ihn getragen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Parsifal by Richard Wagner, Jonas Kaufmann. The song's track number on the album is #3 out of 43 tracks. Based on our data, United States was the country where this track was produced or recorded. Akt I: Er naht, sie bringen ihn getragen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Akt I: Er naht, sie bringen ihn getragen BPM

Since Akt I: Er naht, sie bringen ihn getragen by Richard Wagner, Elina Garanca, Ludovic Tezier, Georg Zeppenfeld, Philippe Jordan has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Akt I: Er naht, sie bringen ihn getragen being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.

Akt I: Er naht, sie bringen ihn getragen Key

This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 2, Im Anfange schuf Gott Himmel und Erde by Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Tareq Nazmi, MDR Leipzig Radio Choir, Benjamin BrunsDie Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 2, Im Anfange schuf Gott Himmel und ErdeJoseph Haydn, Dresdner Philharmonie, Marek Janowski, Tareq Nazmi, MDR Leipzig Radio Choir, Benjamin BrunsB♭ Major36B117 BPM
Rossini: Messa di Gloria: II. Christe eleison by Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Lawrence Brownlee, Michael SpyresRossini: Messa di Gloria: II. Christe eleisonGioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Lawrence Brownlee, Michael SpyresB Minor110A73 BPM
Ch'io mi scordi di te, K. 505: Non temer, amato bene by Wolfgang Amadeus Mozart, Marina Viotti, Gli Angeli Genève, Stephan MacLeodCh'io mi scordi di te, K. 505: Non temer, amato beneWolfgang Amadeus Mozart, Marina Viotti, Gli Angeli Genève, Stephan MacLeodE♭ Major15B89 BPM
Das Rheingold / Erste Szene: Das Rheingold / Erste Szene: "Lugt, Schwestern! Die Weckerin lacht in den Grund"Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg SoltiG Major29B108 BPM
Gounod : Faust : Act 1 Gounod : Faust : Act 1 "Me Voici!" [Faust, Méphistophélès]Charles Gounod, Carlo Rizzi, Welsh National Opera OrchestraB Major11B106 BPM
Salome, Op. 54 / Scene 4: Salome, Op. 54 / Scene 4: "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben!"Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Uwe Peper, Karl-Ernst Mercker, Peter Maus, Warren Mok, Friedrich Molsberger, Manfred Röhrl, Orchester der Deutschen Oper Berlin, Giuseppe SinopoliD Minor47A86 BPM
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 5, Mit Staunen sieht das Wunderwerk by Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg, MDR Leipzig Radio ChoirDie Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 5, Mit Staunen sieht das WunderwerkJoseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg, MDR Leipzig Radio ChoirB♭ Major36B117 BPM
Humperdinck : Hänsel und Gretel : Act 3 Humperdinck : Hänsel und Gretel : Act 3 "Knusper, knusper, knäuschen" [The Nibblewitch, Gretel, Hänsel]Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony OrchestraF Major17B79 BPM
Salome, Op. 54 / Scene 3: Salome, Op. 54 / Scene 3: "Wird dir nicht bange, Tochter der Herodias?"Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe SinopoliG Major29B95 BPM
Les 7 paroles du Christ: 4e Parole - Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?"Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold WickeE♭ Major05B82 BPM
ISRC
USQX92205515
Label
L-M Records/RCA Records

Section: 0.7040629386901855

End: 0.7074687480926514