"Rhapsody on Ukrainian Themes, Op. 28: II. Allegretto scherzando" by Sergei Lyapunov, BBC Scottish Symphony Orchestra, Hamish Milne, Martyn Brabbins was released on 1992. The duration of Rhapsody on Ukrainian Themes, Op. 28: II. Allegretto scherzando is about 3 minutes long, at 3:02. Based on our data, "Rhapsody on Ukrainian Themes, Op. 28: II. Allegretto scherzando" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sergei Lyapunov, Hamish Milne, BBC Scottish Symphony Orchestra, Martyn Brabbins's "Lyapunov: Piano Concertos Nos. 1 & 2 etc. (Hyperion Romantic Piano Concerto 30)" album is number 7 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Rhapsody on Ukrainian Themes, Op. 28: II. Allegretto scherzando is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rhapsody on Ukrainian Themes, Op. 28: II. Allegretto scherzando by Sergei Lyapunov, BBC Scottish Symphony Orchestra, Hamish Milne, Martyn Brabbins to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Wind Instruments, Op. 44, B. 77 (Excerpts Arr. P. Breiner for Piano): II. Tempo di minuet | Antonín Dvořák, Peter Breiner | G Minor | 0 | 6A | 70 BPM | ||
Night Song (After Nachtstück, D. 672/Op.36, No. 2) | Franz Schubert, Martin Stadtfeld | E♭ Major | 0 | 5B | 69 BPM | ||
Berceuse, Op. 3 No. 2 (Version for Piano) | Alexander Spendiarov, Mikael Ayrapetyan | A♭ Major | 0 | 4B | 129 BPM | ||
Huit Nocturnes, Op. 368: No. 4 in D-Flat Major | Carl Czerny, Isabelle Oehmichen | D♭ Major | 0 | 3B | 134 BPM | ||
Naive Music: No. 7. Waltz | Valentin Silvestrov, Elisaveta Blumina | C Minor | 0 | 5A | 135 BPM | ||
8 Pièces brèves, Op. 84: VII. Allegresse in C Major | Gabriel Fauré, Kathryn Stott | C Major | 0 | 8B | 139 BPM | ||
Octubre Rosa | Cecilia Foj | F Minor | 2 | 4A | 79 BPM | ||
A new year is like a new day | ЧЕПЦОВ Александр, LEX STONE | D Minor | 0 | 7A | 60 BPM | ||
Bagatellen: XIII | Valentin Silvestrov | E Major | 0 | 12B | 135 BPM | ||
Chants du voyageur, Op. 8: No. 3, Melody in B Major | Ignacy Jan Paderewski, Mao Fujita | B Major | 0 | 1B | 67 BPM |
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