"Sinfonia G-dur (1749): II. Andante" by Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani was released on 2000. The duration of Sinfonia G-dur (1749): II. Andante is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Sinfonia G-dur (1749): II. Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Georg Matthias Monn, Lajos Rovátkay/Capella Agostino Steffani, Capella Agostino Steffani's "Monn: Sinfonie & Concerti" album is number 18 out of 19. Sinfonia G-dur (1749): II. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia G-dur (1749): II. Andante by Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 4 g-moll: II. Allegro moderato (Fuga) | Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Minor | 2 | 11A | 110 BPM | ||
Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | ||
Water Music Suite No. 1 in F: Adagio e staccato | Berliner Philharmoniker, Riccardo Muti | D Minor | 1 | 7A | 77 BPM | ||
Violin Concerto in E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, Thomas Zehetmair, Amsterdamse Bach Solisten | E Major | 3 | 12B | 104 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Molter: Concerto for 2 Trumpets in D Major, MWV 6.31: II. Andante | Johann Melchior Molter, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 1 | 7A | 128 BPM | ||
Concerto for 2 Violins, Strings and Continuo in G Major, RV 516: III. Allegro | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 133 BPM | ||
Bach, CPE: Harpsichord Concerto in D Minor, H. 427: II. Poco andante | Carl Philipp Emanuel Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | D♭ Minor | 1 | 12A | 82 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562 (arr. for oboe): II. Allegro | Anonymous, Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | A Minor | 1 | 8A | 134 BPM |
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