"Symphonie "Nähe fern": Symphonie "Nähe fern": Nähe fern IV" by Wolfgang Rihm, Luzerner Sinfonieorchester, James Gaffigan was released on May 20, 2013. Symphonie "Nähe fern": Symphonie "Nähe fern": Nähe fern IV appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Rihm: Symphonie "Nähe fern"". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. Symphonie "Nähe fern": Symphonie "Nähe fern": Nähe fern IV is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphonie "Nähe fern": Symphonie "Nähe fern": Nähe fern IV by Wolfgang Rihm, Luzerner Sinfonieorchester, James Gaffigan having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Élégie, L. 146 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Jagden und Formen (1995-2001): b. 1007 | Wolfgang Rihm, Ensemble Modern, Dominique My | B Minor | 5 | 10A | 86 BPM | ||
Three Miniatures for Solo Violin: II. A Canon for Sally | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Femina Feminae VI. L'ecole Buissonière | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
The Firebird Suite, K010, (1945 Version): I. Introduction | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B♭ Major | 2 | 6B | 122 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: J'ai pas envie de faire ma page (L'enfant) | Maurice Ravel, Helene Hebrard, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 0 | 4B | 97 BPM | ||
Turangalîla-Symphony: II. Chant d'amour. 1 Modéré, lourd | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM |
Section: 0.5905134677886963
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