Handel, Honor Sheppard, Max Worthley, Maurice Bevan, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller made "Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Recitative: The mighty master smiled to see" available on February 19, 2013. With Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Recitative: The mighty master smiled to see being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 34 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Recitative: The mighty master smiled to see is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Recitative: The mighty master smiled to see by Handel, Honor Sheppard, Max Worthley, Maurice Bevan, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Chandos Anthem No. 2 in D Minor, 'In the Lord Put I My Trust', HWV247: vi. Chorus: Snares, fire and brimstone on their heads | Handel, Collegium Musicum of Rutgers University, Donald Miller, Alfred Mann, Jerrold Held, Helen Boatwright, Charles Bressler | D Major | 4 | 10B | 84 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM | ||
Act I - Chorus "For Zion, Lamentation Make" | Handel, Heather Harper, Helen Watts, Alexander Young, John Shirley-Quirk, ECO/Somary | C Minor | 2 | 5A | 79 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Act I - Chorus "Hear Us, O Lord" | Handel, Heather Harper, John Shirley-Quirk, Helen Watts, ECO/Somary, Alexander Young | E Minor | 2 | 9A | 67 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM | ||
Handel: Water Music Suite #2 in D, HWV 349 - Allegro | Handel, Budapest Strings Wind Ensemble | D Major | 1 | 10B | 103 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM |
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