Manuel Ponce, Davide Ficco made "Sonata for guitar and harpsichord - allegro moderato, calmo ed espressivo, tempo i" available on May 16, 2011. Since Sonata for guitar and harpsichord - allegro moderato, calmo ed espressivo, tempo i is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Manuel Ponce, Davide Ficco's "Manuel Maria Ponce - Chamber and Solo Music for Guitar" album is number 2 out of 41. On top of that, Italy appears to be the country where this track was created. The popularity of Sonata for guitar and harpsichord - allegro moderato, calmo ed espressivo, tempo i is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Sonata for guitar and harpsichord - allegro moderato, calmo ed espressivo, tempo i by Manuel Ponce, Davide Ficco to be Prestissimo (even faster than presto) because the track has a tempo of 209 BPM, a half-time of 104BPM, and a double-time of 418 BPM. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanengesang, S. 560: VII. Ständchen (2nd Version, After Schubert D. 957/4) | Franz Liszt, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Chants d'Espagne, Op. 232 - Córdoba | Isaac Albéniz, Thibault Cauvin | D Minor | 1 | 7A | 120 BPM | ||
Sainz de la Maza: La frontera de Dios: V. Sacrificio | Regino Sáinz de la Maza, Thibaut García | E Minor | 0 | 9A | 70 BPM | ||
Brimborion, Op. 11: Romance sans paroles | Jaime Bosch, Alexandra Whittingham | A Minor | 0 | 8A | 128 BPM | ||
Sonata Mexicana: I. Allegro moderato | Manuel Ponce, Stefano Grondona | E Major | 1 | 12B | 92 BPM | ||
A la orilla de un palmar | Manuel Ponce, Alvaro Cendoya | F Major | 0 | 7B | 61 BPM | ||
Andante No. 1, Op. 320 | Ferdinando Carulli, Flavio Cucchi | G Major | 0 | 9B | 99 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
12 Danzas españolas, Op. 37: No. 5, Andaluza (Arr. J. Mourat for Guitar & Mandolin) | Enrique Granados, Jens-Uwe Popp, Jochen Roß | B Minor | 0 | 10A | 149 BPM |
Section: 0.7439601421356201
End: 0.7481784820556641