"Ouverture Solenne, Op. 49 : Ouverture solennelle 1812, Op. 49" by Orchestra del Festival di Montecarlo, Franz-Josef Sumowich was released on November 29, 2011. Ouverture Solenne, Op. 49 : Ouverture solennelle 1812, Op. 49 appears to be safe for all ages as it is not explicit. There are a total of 28 in the song's album "Tchaikovsky : 100 Years". In this album, this song's track order is #28. Ouverture Solenne, Op. 49 : Ouverture solennelle 1812, Op. 49 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ouverture Solenne, Op. 49 : Ouverture solennelle 1812, Op. 49 by Orchestra del Festival di Montecarlo, Franz-Josef Sumowich having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On the Beautiful Blue Danube, Op. 314 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | D Major | 0 | 10B | 94 BPM | ||
Rieding: Violin Concerto No. 2 in B Minor, Op. 35: III. Allegro moderato | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 1 | 10A | 145 BPM | ||
Radetzky-Bankett-Marsch (fragment) | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | C Major | 1 | 8B | 101 BPM | ||
Orchestral Suite No. 2 In B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Aurèle Nicolet, Münchener Bach-Orchester, Karl Richter | B Minor | 4 | 10A | 115 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
The Montagues and Capulets | Roberto Jonata | A Minor | 2 | 8A | 79 BPM | ||
Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
Swan Lake, Op. 20, Pt. 2: IV. Danses des petits cygnes | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Nicolae Moldoveanu | F♯ Minor | 0 | 11A | 109 BPM | ||
Nocturne No.21 In C Minor, Op.posth. | Frédéric Chopin, Daniel Barenboim | F Minor | 0 | 4A | 66 BPM | ||
Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM |
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