La Serenissima, Mhairi Lawson made "Cencerto/Sinfonia in e for strings & continuo, RV 134: Allegro" available on July 10, 2007. The duration of Cencerto/Sinfonia in e for strings & continuo, RV 134: Allegro is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Cencerto/Sinfonia in e for strings & continuo, RV 134: Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Rise of the North Italian Violin Concerto: 1690-1740 Volume Two- Antonio Vivaldi, Virtuoso Impresario". In this album, this song's track order is #12. In terms of popularity, Cencerto/Sinfonia in e for strings & continuo, RV 134: Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Cencerto/Sinfonia in e for strings & continuo, RV 134: Allegro by La Serenissima, Mhairi Lawson having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in G Minor, RV 439 "La notte": IV. Presto | Antonio Vivaldi, I Solisti Di Perugia, Mario Ancillotti, Claudio Brizi, Paolo Franceschini | F Major | 4 | 7B | 143 BPM | ||
Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8- Allegro (Mouvement 3) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 141 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Itzhak Perlman | B Minor | 3 | 10A | 95 BPM | ||
Violin Concerto in A Minor, Op. 3, No. 6, RV 356: I. Allegro (arr. for violin and piano) | Anonymous, Antonio Vivaldi, Takako Nishizaki, Terence Dennis | A Minor | 3 | 8A | 94 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM |
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