"Suite espanola No. 1, Op. 47: No. 1. Granada (Serenata) (arr. for harp)" by Isaac Albéniz, Aristid Von Würtzler, Sylvia Kowalczuk was released on July 15, 2014. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi: Lute Concerto in D Major (Arr. for Harp) / Grandjany: Rhapsodie by Aristid Von Würtzler, Sylvia Kowalczuk. The song's track number on the album is #7 out of 14 tracks. Suite espanola No. 1, Op. 47: No. 1. Granada (Serenata) (arr. for harp) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite espanola No. 1, Op. 47: No. 1. Granada (Serenata) (arr. for harp) by Isaac Albéniz, Aristid Von Würtzler, Sylvia Kowalczuk has a tempo of 50 beats per a minute, the tempo markings of this song would be Lento (slowly). With Suite espanola No. 1, Op. 47: No. 1. Granada (Serenata) (arr. for harp) being at 50 BPM, the half-time would be 25 BPM with a double-time of 100 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sainz de la Maza: La frontera de Dios: V. Sacrificio | Regino Sáinz de la Maza, Thibaut García | E Minor | 0 | 9A | 70 BPM | ||
Sor : Study No.6 | Fernando Sor, John Fulford Music | E♭ Minor | 2 | 2A | 70 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Suite Española No. 1, Op. 47: No. 5, Asturias (Leyenda) [Arranged by John Williams for Guitar] | Isaac Albéniz, John Williams | E Minor | 1 | 9A | 110 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Prelude No. 1 | Heitor Villa-Lobos, Simon Dinnigan | E Minor | 1 | 9A | 74 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E Minor | 1 | 9A | 99 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM |
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