"Toccata and Fugue in D Minor, BWV 565" by Johann Sebastian Bach, Ales Barta was released on September 1, 2012. Since Toccata and Fugue in D Minor, BWV 565 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Bach: Toccata und Fuge d-moll by Ales Barta. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Toccata and Fugue in D Minor, BWV 565 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach, Ales Barta is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): II. Adagio - Presto | Karoly Botvay | G Minor | 0 | 6A | 87 BPM | ||
Suite gothique, Op. 25: IV. Toccata | Léon Boëllmann, Gerard Brooks | A Minor | 1 | 8A | 110 BPM | ||
Imperial Fanfare | Antonio Salieri, Vienna Art of Trumpet, Leonhard Leeb | F Minor | 2 | 4A | 80 BPM | ||
Pictures at an Exhibition: Pictures at an Exhibition: X. The great gate of Kiev | Modest Mussorgsky, Paul Lewis | E♭ Major | 1 | 5B | 139 BPM | ||
Verdi: Aïda, Act 2: Triumphal march | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
Thaïs - Meditation | Jules Massenet, Max Michailow, Werner Schmidt-Boelcke | D Major | 3 | 10B | 79 BPM | ||
Radetzky-Marsch, Op. 228 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 3 | 11B | 110 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation IX | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 35, "Funeral March": III. Marche funebre: Lento | Frédéric Chopin, Idil Biret | D♭ Major | 0 | 3B | 137 BPM |
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