"Der Zauberspruch" by Radoslaw Pallarz, Emily Körner, Soo Eun Lee, Andreea Alcalde, Hendrik Then-Bergh, Frederik Stock was released on July 25, 2019. The duration of Der Zauberspruch is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Der Zauberspruch's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 15 in Dornröschen by Radoslaw Pallarz, Emily Körner, Soo Eun Lee. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Der Zauberspruch is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Zauberspruch by Radoslaw Pallarz, Emily Körner, Soo Eun Lee, Andreea Alcalde, Hendrik Then-Bergh, Frederik Stock is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate e Partite: No. 40, Quasi presto | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
HFISX | KNOXVILLETRACKZ | D♭ Major | 0 | 3B | 172 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins | Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
Death of Mama | Sister Maria Therese Sokol, OCD, Saint Luke Productions | D Minor | 1 | 7A | 36 BPM | ||
Pièces de clavecin avec une méthode, Suite in D Major, RCT 3 (Arr. for Accordion by Janne Valkeajoki): I. Les tendres plaintes | Jean-Philippe Rameau, Janne Valkeajoki | A Minor | 2 | 8A | 70 BPM | ||
Die Krönung - der junge Pharao | Radoslaw Pallarz, Tabea Schmidt, Wiebke Wighardt, Emanuel Fluck, Kai Preußker, Christina Singer, Anne Angerer, Annette Schütz, Gaelle Burgelin, Dirk Altmann, Sebastian Mangold, Larissa Manz, Soo Eun Lee, Bohye Lee, Jonathan Schirmer, Frederik Stock, Lucia Schirmer, Christof Skupin, Tobias Burgelin, Franz Bach, Lucia Cericola, Lydia Schirmer | G Minor | 2 | 6A | 86 BPM | ||
Songs Without Words, Book 7, Op. 85: No. 1 in F Major, MWV U 150 (Arr. for Cello & Piano by Alfredo Piatti) | Felix Mendelssohn, Jonathan Miller, Marc Ryser | F Major | 1 | 7B | 83 BPM | ||
Oblivion (Arr. H. Abel for oboe and chamber ensemble) | Astor Piazzolla, Claremont Duo | C Minor | 0 | 5A | 88 BPM | ||
Etude In F Minor | Michael Raven | E♭ Major | 1 | 5B | 145 BPM |
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