Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee made "Who Cares? (after Gershwin): My One and Only" available on July 27, 2010. The duration of Who Cares? (after Gershwin): My One and Only is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Who Cares? (after Gershwin): My One and Only's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hershy Kay, Simon Lee, John Baltimore's "Kay, H.: Who Cares? [Ballet]" album is number 12 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Who Cares? (after Gershwin): My One and Only's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Who Cares? (after Gershwin): My One and Only by Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme: "Musetta's Waltz" | Yuri Sazonoff & Jerry Caringi | A Major | 1 | 11B | 96 BPM | ||
Accelerations - Waltz Op. 234 | Johann Strauss II, Hallé, Bryden Thomson | G Major | 0 | 9B | 101 BPM | ||
Momentum: Intermezzo | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | D♭ Major | 1 | 3B | 118 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Restaurant Interior | Original Soundtrack | A Major | 2 | 11B | 115 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
City Lights: Overture - Unveiling the Statue | Charlie Chaplin, The City Lights Orchestra, Carl Davis | F Major | 4 | 7B | 135 BPM | ||
Serenade - Tchaikovsky: Serenade in C major for String Orchestra, Op. 48; Pezzo in forma di sonatina: Andante non troppo; Allegro moderato | Pyotr Ilyich Tchaikovsky, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | C Major | 2 | 8B | 109 BPM | ||
Comic Cake Walk | Robert Vollstedt, I Salonisti, Thomas Füri, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | F Major | 1 | 7B | 92 BPM | ||
Vanity Fair | Anthony Collins, Pro Arte Orchestra, George Weldon | F Major | 1 | 7B | 128 BPM |
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