""Night has spread her pall once more"" by Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent was released on January 1, 2011. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company's "Gilbert & Sullivan Collection" album is number 1 out of 456. On top of that, United Kingdom appears to be the country where this track was created. "Night has spread her pall once more" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "Night has spread her pall once more" by Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Tänzerin Fanny Elssler: Draußen in Sievering (Act 2) | Johann Strauss II, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
La fille du régiment / Act 1: La la la ...chacum le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM | ||
Symphony No. 5 - Return to Middle Earth: VI. Thuringwethil - Frau vom geheimen Schatten | Johan de Meij, Neuer Kammerchor Heidenheim, Landesblasorchester Baden-Württemberg, Björn Bus, Katarzyna Jagiello | D Minor | 2 | 7A | 85 BPM | ||
Candide / Act I: 12. Glitter And Be Gay | Leonard Bernstein, Richard Wilbur, June Anderson, London Symphony Orchestra | A♭ Major | 2 | 4B | 149 BPM | ||
Tannhäuser - Paris version / Act III: "Heil ! Heil! Der Gnade Wunder Heil!" | Richard Wagner, William Pell, Clemens Bieber, Andreas Schmidt, Kurt Rydl, Oskar Hillebrandt, Matti Salminen, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 74 BPM | ||
Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | F Minor | 1 | 4A | 63 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
The Mikado: Three little maids from school are we | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 3 | 9B | 127 BPM | ||
Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM |
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