"Bilder einer Ausstellung: VI. Samuel Goldenberg and Schmuyle" by Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar was released on April 1, 2003. The duration of Bilder einer Ausstellung: VI. Samuel Goldenberg and Schmuyle is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Bilder einer Ausstellung: VI. Samuel Goldenberg and Schmuyle's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Ukraine National Symphony Orchestra, Theodore Kuchar's "Mussorgsky: Orchestral Works" album is number 14 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Bilder einer Ausstellung: VI. Samuel Goldenberg and Schmuyle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bilder einer Ausstellung: VI. Samuel Goldenberg and Schmuyle by Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | B♭ Major | 1 | 6B | 75 BPM | ||
Lyric Pieces Book V, Op. 54: No. 5 Scherzo | Edvard Grieg, Emil Gilels | E Minor | 0 | 9A | 66 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 139 BPM | ||
Romeo and Juliet, Op. 64 / Act 2: 25. Dance with Mandolins | Sergei Prokofiev, Berliner Philharmoniker, Claudio Abbado | E♭ Major | 1 | 5B | 108 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
The Gadfly Suite, Op. 97a: VI. Galop | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 168 BPM | ||
Roman Festivals: IV. La Befana | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | G Major | 0 | 9B | 127 BPM | ||
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | ||
Stravinsky: Petrouchka, Tableau IV "La foire du mardi gras": Le Marchand fêtard et deux Tziganes (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 0 | 8B | 123 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | G Major | 4 | 9B | 80 BPM |
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