"L'enfant et les sortilèges, M. 71: No. 22, Où es-tu ?" by Maurice Ravel, Arlette Chédel, Choeur D`Enfants, Choeur du Grand-Théâtre de Bordeaux, Orchestre National Bordeaux Aquitaine, Alain Lombard was released on January 6, 2017. With L'enfant et les sortilèges, M. 71: No. 22, Où es-tu ? being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "Ravel: L'enfant et les sortilèges". In this album, this song's track order is #22. Furthermore, we believe that the track originated from France. L'enfant et les sortilèges, M. 71: No. 22, Où es-tu ? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'enfant et les sortilèges, M. 71: No. 22, Où es-tu ? by Maurice Ravel, Arlette Chédel, Choeur D`Enfants, Choeur du Grand-Théâtre de Bordeaux, Orchestre National Bordeaux Aquitaine, Alain Lombard having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Sonata for Violin and Piano in A Major: Allegretto ben moderato | César Franck, Ray Chen | A Major | 0 | 11B | 60 BPM | ||
Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poem | Zdeněk Fibich, Balazs Szokolay | D♭ Major | 0 | 3B | 133 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Reves | David Abramovitz, Claire Brua, Maurice Ravel | G Minor | 0 | 6A | 89 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Les cloches de Genève | Franz Liszt, André Laplante | B Major | 0 | 1B | 68 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |
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