"Kalevala Suite, Op. 23: II. Kevaan oras (The Sprout of Spring)" by Uuno Klami, Lahti Symphony Orchestra, Osmo Vänskä was released on March 31, 1995. With this song being about 5 minutes long, at 4:50, "Kalevala Suite, Op. 23: II. Kevaan oras (The Sprout of Spring)" by Uuno Klami, Lahti Symphony Orchestra, Osmo Vänskä is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Uuno Klami's "Klami: Kalevala Suite" album is number 14 out of 17. In terms of popularity, Kalevala Suite, Op. 23: II. Kevaan oras (The Sprout of Spring) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kalevala Suite, Op. 23: II. Kevaan oras (The Sprout of Spring) by Uuno Klami, Lahti Symphony Orchestra, Osmo Vänskä to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie enfantine, Op. 17: II. Berceuse (Version for Violin & Piano) | Uuno Klami, Essi Höglund, Esa Ylonen | E♭ Major | 4 | 5B | 89 BPM | ||
Four Dance Episodes from "Rodeo" (1999 Digital Remaster): Transition_Corral Nocturne | Aaron Copland, Sir Neville Marriner/Minnesota Orchestra, Sir Neville Marriner, Minnesota Orchestra | C Major | 0 | 8B | 83 BPM | ||
Pelleas and Melisande Suite, Op. 46, JS 147: V. Pastorale | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A♭ Major | 0 | 4B | 94 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse - Instrumental | Gabriel Fauré, Philadelphia Orchestra, Charles Münch | C Major | 1 | 8B | 95 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
Symphony No. 2, Op. 16 "The Four Temperaments": I. Allegro collerico | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | A♭ Major | 0 | 4B | 79 BPM | ||
Depths of a Stranger | Dany Safari | D Major | 1 | 10B | 79 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
The Sea: No. 2 Sea-foam | Frank Bridge, New Zealand Symphony Orchestra, James Judd | E♭ Major | 1 | 5B | 71 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 6: IV. Marche Funebre (Arr. V. Rogal-Levitsky) | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | D♭ Major | 0 | 3B | 54 BPM |
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