On May 22, 2020, the song "Scaramuccia" was released by Nicola Matteis, Michael Oman, Austrian Baroque Company. With Scaramuccia being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Oman, Amandine Beyer, Austrian Baroque Company's "London Calling" album is number 12 out of 24. Based on our statistics, Scaramuccia's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Scaramuccia by Nicola Matteis, Michael Oman, Austrian Baroque Company to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
Viola da Gamba Suite in D Major: VI. Adagio | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 98 BPM | ||
Psyche, Act I Scene 1: Symphony of rustick musick representing an eccho | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Suite in A Major: I. Prelude | Robert de Visée, Yasunori Imamura | G Major | 0 | 9B | 103 BPM | ||
Sonata sesta for violino solo: III. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 1 | 9A | 132 BPM | ||
Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
Recercadas del Trattado de Glosas: Recercada terçera para violone sola | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | C Major | 0 | 8B | 55 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Couperin, F: Troisième Livre de pièces de clavecin, Quinzième Ordre: II. Le Dodo ou L'Amour au berceau. Rondeau, sur le mouvement des berçeuses | François Couperin, Jean Rondeau | A♭ Major | 1 | 4B | 121 BPM | ||
Mensa sonora / PARS I (In D Major): 1. Sonata. Grave - Allegro | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 139 BPM |
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