François Couperin, Jean Rondeau's 'Couperin, F: Troisième Livre de pièces de clavecin, Quinzième Ordre: II. Le Dodo ou L'Amour au berceau. Rondeau, sur le mouvement des berçeuses' came out on May 29, 2020. Couperin, F: Troisième Livre de pièces de clavecin, Quinzième Ordre: II. Le Dodo ou L'Amour au berceau. Rondeau, sur le mouvement des berçeuses is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 13 out of 20 in Barricades by Jean Rondeau, Thomas Dunford. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Couperin, F: Troisième Livre de pièces de clavecin, Quinzième Ordre: II. Le Dodo ou L'Amour au berceau. Rondeau, sur le mouvement des berçeuses's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Couperin, F: Troisième Livre de pièces de clavecin, Quinzième Ordre: II. Le Dodo ou L'Amour au berceau. Rondeau, sur le mouvement des berçeuses by François Couperin, Jean Rondeau is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita in A Minor: Plainte faite à Londres pour passer la melan | Marcin Świątkiewicz | A♭ Major | 2 | 4B | 78 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude | Paul Bazelaire, François Couperin, Lynn Harrell, Angeli Ensemble | G Minor | 2 | 6A | 98 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Jupiter | Antoine Forqueray, Scott Ross | B Minor | 5 | 10A | 84 BPM | ||
Provenzale: Lo schiavo di sua moglie: "Non posso far" (Lucillo) | Francesco Provenzale, Lea Desandre, jupiter_BRKN, Thomas Dunford | D♭ Major | 3 | 3B | 136 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM | ||
Concert XLI: Le Retour | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Major | 1 | 8B | 70 BPM | ||
The Indian Queen, Z. 630, Act 4: They Tell Us That Your Mighty Powers (Arr. for baroque orchestra and saxophone) | Henry Purcell, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | E Minor | 0 | 9A | 135 BPM | ||
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM |
Section: 0.6104366779327393
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