Arturo Buzzi-Peccia, Carlo Bergonzi made "Lolita - Voice" available on 1959. The duration of Lolita - Voice is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Lolita - Voice's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "The Great Carlo Bergonzi". In this album, this song's track order is #14. Lolita - Voice is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Lolita - Voice by Arturo Buzzi-Peccia, Carlo Bergonzi having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
Funiculi, funicula | Luigi Denza, Alessandro Ziliani | F Major | 1 | 7B | 127 BPM | ||
Leoncavallo: Mattinata | Ruggero Leoncavallo, Enrico Caruso | E Major | 2 | 12B | 85 BPM | ||
Santa Lucia | Teodoro Cottrau, Arturo Buzzi-Peccia, Claude Aveline, Alfie Boe, Royal Philharmonic Orchestra, Valeriano Chiaravalle | G Minor | 3 | 6A | 131 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
Brown / Arr Schifrin: A Tribute to Hollywood Part 4: Singin' in the Rain - Singin' In The Rain | The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | B♭ Major | 6 | 6B | 140 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Margreta Elkins, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 1 | 3B | 74 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 67 BPM | ||
Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM |
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