Johann Sebastian Bach, Edgar Meyer, Béla Fleck made "The Well-Tempered Clavier, Book 1: Prelude No. 24 in B Minor, BWV 869 (Arr. B. Fleck & E. Meyer) - Live" available on April 13, 2004. The duration of The Well-Tempered Clavier, Book 1: Prelude No. 24 in B Minor, BWV 869 (Arr. B. Fleck & E. Meyer) - Live is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. The Well-Tempered Clavier, Book 1: Prelude No. 24 in B Minor, BWV 869 (Arr. B. Fleck & E. Meyer) - Live's duration is considered a little bit shorter than the average duration of a typical track. Since The Well-Tempered Clavier, Book 1: Prelude No. 24 in B Minor, BWV 869 (Arr. B. Fleck & E. Meyer) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. Based on our statistics, The Well-Tempered Clavier, Book 1: Prelude No. 24 in B Minor, BWV 869 (Arr. B. Fleck & E. Meyer) - Live's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Well-Tempered Clavier, Book 1: Prelude No. 24 in B Minor, BWV 869 (Arr. B. Fleck & E. Meyer) - Live by Johann Sebastian Bach, Edgar Meyer, Béla Fleck having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 97 BPM | ||
Der Herr ist König, TWV 8:6: I. No. 6, Aria: Prahlet, Ihr Völker | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan, Shimon Yoshida | E♭ Minor | 2 | 2A | 74 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM |
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