"Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday: Second Nocturn: III.Ecce quomodo moritur - Et erit - Tanquam agnus" by Tomás Luis de Victoria, The Sixteen, Harry Christophers was released on 1995. Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday: Second Nocturn: III.Ecce quomodo moritur - Et erit - Tanquam agnus is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. This song is part of Victoria Tenebrae responsories by Tomás Luis de Victoria, The Sixteen, Harry Christophers. The song's track number on the album is #15 out of 18 tracks. Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday: Second Nocturn: III.Ecce quomodo moritur - Et erit - Tanquam agnus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday: Second Nocturn: III.Ecce quomodo moritur - Et erit - Tanquam agnus by Tomás Luis de Victoria, The Sixteen, Harry Christophers has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Holy Saturday: Second Nocturn: III.Ecce quomodo moritur - Et erit - Tanquam agnus being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Laetatus sum a 12: Sanctus | Tomás Luis de Victoria, Saint Clement's Choir, Philadelphia, Peter Richard Conte | A Major | 2 | 11B | 67 BPM | ||
Canon a 3 voc. in unisono, Cantio Sacra | Samuel Scheidt, The Royal Wind Music, Paul Leenhouts | B♭ Minor | 0 | 3A | 80 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XV. Blessed is He Who Comes in the Name of the Lord | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F♯ Major | 0 | 2B | 77 BPM | ||
Mass for Double Choir: Gloria | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Minor | 1 | 7A | 86 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
O sácrum convívium | Antonio de Salazar, Horacio Franco, Cappella Cervantina | A♭ Major | 3 | 4B | 92 BPM |
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