"Sylvia: Act II: Chant bacchique" by Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia was released on January 17, 1996. The duration of Sylvia: Act II: Chant bacchique is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Sylvia: Act II: Chant bacchique's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 33 in Delibes: Sylvia (Complete Ballet) / Saint-Saens: Henry Viii by Léo Delibes, Razumovsky Symphony Orchestra. Sylvia: Act II: Chant bacchique is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sylvia: Act II: Chant bacchique by Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 4. A Spring In The Park | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 133 BPM | ||
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
Delibes: Lakmé, Act 2: "Alllons, avant que midi sonne" (Chorus) | Léo Delibes, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Alain Lombard, Orchestre du Theatre National de IOpera-Comique | D Major | 5 | 10B | 151 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 12, Masks | Sergei Prokofiev, André Previn, London Symphony Orchestra | B♭ Major | 0 | 6B | 163 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Allegro frenetico: quasi doppio movimento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | E Minor | 1 | 9A | 102 BPM | ||
La Bayadère / Act 1: No.8 Moderato con moto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | F Minor | 0 | 4A | 91 BPM | ||
Carnaval, Op. 9 (Orch. M. Ravel): No. 16. Valse allemande | Maurice Ravel, Robert Schumann, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 0 | 4B | 90 BPM | ||
Symphony No.1 in E Major, Op. 26: II. Allegro drammatico | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | F♯ Major | 0 | 2B | 84 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Giselle: Act I: Entree de Loys | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 117 BPM |
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