Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright's 'Mary Stuart, A. 43, In. 52, Act I: Yes, but the French Prince is seeking… (Elizabeth)' came out on April 1, 1999. With Mary Stuart, A. 43, In. 52, Act I: Yes, but the French Prince is seeking… (Elizabeth) being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 43 in Donizetti: Mary Stuart by Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Rosalind Plowright, David Rendall, Alan Opie, John Tomlinson, Angela Bostock. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Mary Stuart, A. 43, In. 52, Act I: Yes, but the French Prince is seeking… (Elizabeth)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mary Stuart, A. 43, In. 52, Act I: Yes, but the French Prince is seeking… (Elizabeth) by Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Tannhauser, Act III: Begluckt darf nun dich, o Heimat, ich schauen ("Pilgrims' Chorus") | Richard Wagner, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | D Major | 4 | 10B | 129 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
Faust, CG 4, Faust, Act I: Cavatina. Avant de quitter ces lieux | Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 101 BPM | ||
Bizet: Carmen, WD 31, Act 2 Scene 2: No. 14, Couplets, "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercedes, Carmen, Chorus) | Georges Bizet, Robert Massard/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Major | 3 | 7B | 116 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Don Pasquale, Act II Prima Scena: Povero Ernesto! (Ernesto) | Gaetano Donizetti, Gösta Winbergh/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Minor | 0 | 5A | 68 BPM | ||
Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM |
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