"Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld" by Fiona Campbell, West Australian Symphony Orchestra, Benjamin Northey was released on May 13, 2016. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "My First Classical Album" album is number 7 out of 22. On top of that, Australia appears to be the country where this track was created. Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld by Fiona Campbell, West Australian Symphony Orchestra, Benjamin Northey to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op.48: 3. Sanctus (I) | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 0 | 5B | 95 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No.39 Aria (Alto): "Erbarme dich" | Johann Sebastian Bach, Marie-Claude Chappuis, Gewandhausorchester Leipzig, Riccardo Chailly | E Minor | 0 | 9A | 117 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
L'Orfeo / Act III: "Possente spirto" | Claudio Monteverdi, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 74 BPM | ||
Così fan tutte / Act 1: "Soave sia il vento" - "Non son cattivo" - "Che vita maledetta" - "Madame, ecco la vostra colazione" | Wolfgang Amadeus Mozart, Montserrat Caballé, Dame Janet Baker, Ileana Cotrubas, Richard van Allan, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 1 | 12B | 85 BPM | ||
Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Ariane et Bachus: "L'Amour de la plus douce chaîne" | Michel Pignolet de Montéclair, Ensemble Battistin, Fiona Campbell | D♭ Minor | 1 | 12A | 83 BPM | ||
Psalmen Davids samt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Wie lieblich sind deine Wohnungen, SWV 29, "Psalm 84" | Heinrich Schütz, The Monteverdi Choir, Edmund Connolly, John Eliot Gardiner | G Minor | 1 | 6A | 73 BPM | ||
L'olimpiade, RV 725: Lo seguitai felice. Megacle, aria | Antonio Vivaldi, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | A Major | 2 | 11B | 149 BPM |
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