Charles Villiers Stanford, Marc-André Hamelin made "4 Irish Dances: IV. A Reel" available on October 1, 1996. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Percy Grainger, Marc-André Hamelin's "Grainger: Piano Music - Country Gardens, Shepherd's Hey; Cake-Walk Smasher etc." album is number 5 out of 19. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, 4 Irish Dances: IV. A Reel is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of 4 Irish Dances: IV. A Reel by Charles Villiers Stanford, Marc-André Hamelin to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Northern Lights | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 68 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM | ||
Abendlied | Josef Rheinberger, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | F Major | 2 | 7B | 79 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Fünf Gesänge, Op. 104: III. Letztes Glück | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | F Major | 2 | 7B | 101 BPM |
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