Giuseppe Verdi, Maria Callas, Alberto Albertini, Coro Cetra, Ede Marietti Gandolfo, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica della RAI, Ugo Savarese's 'Verdi: La traviata, Act 2: "Alfredo, Alfredo, di questo core" (Violetta, Flora, Germont, Gaston, Baron, Doctor, Marquis, Chorus, Alfredo)' came out on 1954. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: La traviata (1953 - Santini) - Callas Remastered by Giuseppe Verdi, Maria Callas. The song's track number on the album is #32 out of 44 tracks. Verdi: La traviata, Act 2: "Alfredo, Alfredo, di questo core" (Violetta, Flora, Germont, Gaston, Baron, Doctor, Marquis, Chorus, Alfredo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: La traviata, Act 2: "Alfredo, Alfredo, di questo core" (Violetta, Flora, Germont, Gaston, Baron, Doctor, Marquis, Chorus, Alfredo) by Giuseppe Verdi, Maria Callas, Alberto Albertini, Coro Cetra, Ede Marietti Gandolfo, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica della RAI, Ugo Savarese has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: La traviata, Act 2: "Alfredo, Alfredo, di questo core" (Violetta, Flora, Germont, Gaston, Baron, Doctor, Marquis, Chorus, Alfredo) being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 1: "Che più t'arresti?" - Live | Giuseppe Verdi, Laurence Dutoit, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 99 BPM | ||
Falstaff / Act II: Quand'ero paggio del Duca di Norfolk | Giuseppe Verdi, Bryn Terfel, Adrianne Pieczonka, Larissa Diadkova, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
La Boheme, erster Akt: Ho pagato il Trimestre | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | A♭ Major | 4 | 4B | 173 BPM | ||
Puccini: Turandot, Act 2 Scene 2: "Gloria, o vincitore! Ti sorrida la vita!" (La Folla) | Giacomo Puccini, Coro del Teatro dell'Opera, Roma/Orchestra del Teatro dell'Opera, Roma/Francesco Molinari Pradelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Major | 2 | 4B | 81 BPM | ||
Rigoletto / Act 3: Della vendetta alfin giunge l'istante (Rigoletto, Sparafucile, Duca) | Giuseppe Verdi, Vladimir Chernov, Roberto Scandiuzzi, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A Major | 9 | 11B | 99 BPM | ||
Rigoletto / Act 1: Zitti, zitti, moviamo a vendetta (Borsa, Marullo, Ceprano, Gilda, Rigoletto, Coro) | Giuseppe Verdi, Paul Groves, Dwayne Croft, Yanni Yannissis, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 2 | 4B | 84 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace | Wolfgang Amadeus Mozart, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 1 | 6B | 112 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "La pietade in suo favore" (Enrico, Raimondo, Chorus) | Gaetano Donizetti, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Falstaff / Act II: "Mia signora! C'è Mistress Meg" | Giuseppe Verdi, Larissa Diadkova, Bryn Terfel, Adrianne Pieczonka, Stella Doufexis, Thomas Hampson, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM |
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