"Zwa Sterndal am Himmel" by Vienna Boys' Choir was released on January 1, 1987. With Zwa Sterndal am Himmel being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Vienna Boys' Choir's "Kein schöner Land" album is number 5 out of 17. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Zwa Sterndal am Himmel is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zwa Sterndal am Himmel by Vienna Boys' Choir to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Gifts | Aaron Copland, David L. Brunner, National Youth Choir of Scotland, Royal Scottish National Orchestra, Christopher Bell | A♭ Major | 1 | 4B | 133 BPM | ||
Cherubic Hymn, No. 7 | Dmitry Bortniansky, Estonian Philharmonic Chamber Choir, Paul Hillier | D Major | 1 | 10B | 86 BPM | ||
Come Again | John Dowland, Cantus Thuringia | F♯ Major | 2 | 2B | 112 BPM | ||
Annchen von Tharau | Friedrich Silcher, Meistersinger, Die, Klaus Breuninger | C Major | 2 | 8B | 0 BPM | ||
Nabucco, Act III: Slave Chorus | Giuseppe Verdi, Lorin Maazel, Orchestra Philharmonique de Monte Carlo, Choeur de la Radio Suisse Romande, Choeur Pro Arte de Lausanne d'André Charlet, Monte-Carlo Philharmonic Orchestra | G Major | 2 | 9B | 57 BPM | ||
O Salve Regina | Alice Tegner, Lund Korallerna Girls Choir, Lund Cantores Cathedrales, Eva Svanholm Bohlin | G Minor | 1 | 6A | 82 BPM | ||
Sortie in E flat | Louis James Alfred Lefébure-Wély, William McVicker | B♭ Major | 1 | 6B | 89 BPM | ||
5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 2 | 5B | 89 BPM | ||
École d'orgue, Pt. 2: No. 27, Fanfare | Jacques-Nicolas Lemmens, Gerard Brooks | F Major | 2 | 7B | 85 BPM | ||
Vivaldi: Gloria in D Major, RV 589: IX. Qui tollis peccata mundi | Antonio Vivaldi, Teresa Berganza, Lucia Valentini Terrani, New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | E Minor | 3 | 9A | 88 BPM |
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