Hermann Prey made "Ich Bin Das Faktotum Der Schoenen Welt" available on 2003. With this song being about 5 minutes long, at 4:40, "Ich Bin Das Faktotum Der Schoenen Welt" by Hermann Prey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Great Moments Of Hermann Prey" album is number 10 out of 68. The popularity of Ich Bin Das Faktotum Der Schoenen Welt is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Ich Bin Das Faktotum Der Schoenen Welt by Hermann Prey to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes-Passion, BWV 245: No. 21, Und die Kriegsknechte flochten eine Krone | Johann Sebastian Bach, Münchener Bach-Orchester, Ernst Haefliger, Hermann Prey, Keith Engen, Karl Richter | E♭ Major | 1 | 5B | 58 BPM | ||
Der Wildschütz: Heiterkeit und Fröhlichkeit | Hermann Prey | E Major | 3 | 12B | 100 BPM | ||
Rossini: Guillaume Tell, Act 1 Scene 1: No. 1, Choeur, "Quel jour serein le ciel présage !" (Chorus) | Gioachino Rossini, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 0 | 9B | 98 BPM | ||
Puccini: Messa di Gloria: XVI. Agnus Dei qui tollis peccata mundi | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano, Roberto Alagna, Thomas Hampson | C Major | 1 | 8B | 136 BPM | ||
St. John Passion, BWV 245 / Pt. 1: XIV. Recitative: "Derselbige Jünger war dem Hohenpriester bekannt" | Johann Sebastian Bach, Ernst Haefliger, Evelyn Lear, Kieth Engen, Hermann Prey, Münchener Bach-Orchester, Münchener Bach-Chor, Karl Richter | E♭ Major | 2 | 5B | 138 BPM | ||
Attila: "Mentre gonfiarsi l'anima" | Giuseppe Verdi, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin | F Major | 2 | 7B | 167 BPM | ||
Johannes-Passion, BWV 245: No. 26, In meines Herzens Grunde - No. 27, Die Kriegsknechte aber | Johann Sebastian Bach, Münchener Bach-Orchester, Münchener Bach-Chor, Ernst Haefliger, Hermann Prey, Karl Richter | B♭ Major | 1 | 6B | 94 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
An Linna | Johann Wenzel Tomaschek, Hermann Prey, Michael Krist | D♭ Major | 0 | 3B | 63 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM |
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