Saudades do Brasil Op. 67: VIII. Tijuca
Darius Milhaud, Leonard Bernstein, Orchestre National De France
Milhaud - Orchestral Works
2:02 1978
BPM
84
Key
E Minor
Camelot
9A

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Saudades do Brasil Op. 67: VIII. Tijuca - Darius Milhaud, Leonard Bernstein, Orchestre National De France Information

Acousticness
94%
Danceability
22%
Energy
14%
Instrumentalness
57%
Liveness
9%
Loudness
71%
Speechiness
3%
Valence
14%
Popularity
Loudness
-17.505 dB

Summary

"Saudades do Brasil Op. 67: VIII. Tijuca" by Darius Milhaud, Leonard Bernstein, Orchestre National De France was released on 1978. The duration of Saudades do Brasil Op. 67: VIII. Tijuca is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Saudades do Brasil Op. 67: VIII. Tijuca's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Darius Milhaud, Leonard Bernstein, Orchestre National De France's "Milhaud - Orchestral Works" album is number 4 out of 6. Saudades do Brasil Op. 67: VIII. Tijuca is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Saudades do Brasil Op. 67: VIII. Tijuca BPM

We consider the tempo marking of Saudades do Brasil Op. 67: VIII. Tijuca by Darius Milhaud, Leonard Bernstein, Orchestre National De France to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Saudades do Brasil Op. 67: VIII. Tijuca Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7565538883209229

End: 0.7627620697021484